CAPABILITIES
Commercial photography supported by deep production experience and Arizona infrastructure.
I work with brands, agencies, publications and production companies on assignments ranging from individual portraits to multi-day commercial productions. Depending on the project, I can step into an established production or help assemble the crew, equipment and resources needed to support the photography.
01
COMMERCIAL PHOTOGRAPHY
Commercial and editorial photography centered on people and the environments around them. My work spans advertising, portraiture, industry, sports, travel and reportage, with an approach grounded in observation, collaboration and a strong sense of place.
02
INTEGRATED STILLS + MOTION
Experienced working alongside motion teams on integrated productions, coordinating still photography around shared talent, locations, schedules and production resources. I can work within an existing motion production while protecting the time and conditions needed to create strong still imagery.
03
PRODUCTION + CREW
When an assignment requires additional support, I can help assemble the photography team and resources around it, including producers, assistants, digital technicians, additional photographers, hair and makeup, studio and equipment.
For larger productions, I’m equally comfortable working within an agency or production company’s existing crew and infrastructure.
05
ARIZONA PRODUCTION RESOURCES
Based in Phoenix, I’ve spent years working across Arizona and have an established network of local crew and production resources statewide.
As co-owner of Blok Photo Studio and Litebox Creative, I also have direct access to studio space, grip, lighting and production equipment in Phoenix. For agencies and production companies coming into Arizona, that infrastructure can help simplify local production and resource coordination.
04
DIGITAL CAPTURE + WORKFLOW
My background as a commercial digital technician gives me a deep understanding of the technical workflow surrounding an image—from tethered capture and on-set review to asset management, redundancy and delivery.
That experience informs how I plan and photograph assignments, particularly productions involving multiple stakeholders, compressed schedules or integrated stills and motion.